Meanwhile, as Jonathan says (below) , the conference got underway with workshops etc. Jonathan and Ken conducted a morning workshop (there were 33 in all) and I went to Susanne Gannon's which was superb and gave me lots of ideas for 'messing' with people's obsession with individual ownership of texts, as well as lots of interesting reading..I've already rushed out and ordered Patti Lather's 'engaging science', but I took away a whole book list. As an arts-based researcher, I found I had much common ground with Susanne's background in the humanities and use of literary and aesthetic conceptualisations of narrative inquiry. She is going to be great to work with if/when she comes to Bristol.
There were two keynotes this evening, one from Isamu Ito,
from the university of Fukui, Japan, about the effects of globalisation on rural identities and the changing social constructions of farming and rural lives in contemporary Japan. This was a good talk that had my full attention and had many parallels (and differences) with similar developments in the UK, but the keynote that really struck a chord with me was Cynthia Dillard's, from Ohio State University, on 'learning to remember the things we've learned to forget', which was an exquisitely worded contribution to her growing body of work on endarkened feminisms and the sacred nature of research. What struck me most about this keynote was her everyday sense of the significance of intergenerational memory and her questioning of our contemporary fascination with differences at the expense of rootedness, locatedness, sacredness and collectivity. To quote Cindy Gowen, who I was sitting next to, Cynthia totally rocked. I hope this keynote gets published somewhere.
Not sure if its blogger etiquette to comment on your own entries, but more in the spit rit of a PS, in response to Sue 's comments after 'Salad days' (see: 27th, below) I'm not sure if we need to workshop people through this, I think they just have to come if they want, they can get an idea from these blogs, but I want to present the main Bristol session on collaborative writing within GSoE next term. Just to show off really. Well more than that, We are in danger of developing an international reputation, and yet remaining largely unknown for what we do best in our own patch.
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